Every year as Advent approaches, our home fills with familiar scenes of the manger. Some families collect ornaments; others add to their array of wreaths or village houses. For us, the season is marked by the careful unpacking of a growing collection of nativities, each one crafted in a different style, shaped by a different culture, and offering its own unique lens on the birth of Christ.

Our newest addition arrived with a story all its own: a nativity made of camel bone, brought back from Egypt when my wife visited friends there last year. Delicately carved, smooth to the touch, and striking in its simplicity, it immediately captured our imagination, not only for its beauty, but for the tradition it represents.

For centuries, artisans in Egypt and throughout the Middle East have worked with camel bone, a durable byproduct of animals that have been long essential to desert life. Camel bone carving developed out of necessity and respect, using every part of the animal rather than wasting it. Over time, the craft became a form of folk art, passed down through generations, often depicting religious scenes, daily life, and symbols of faith. In Christian communities across the region, camel bone became a meaningful medium for carving crosses, rosaries, and nativity scenes—quiet testimonies of faith formed from the resources of the land.

That connection feels especially fitting. Camels themselves appear throughout the biblical narrative, symbols of endurance, provision, and long journeys across difficult terrain. A nativity carved from camel bone feels rooted in the geography and texture of the biblical world, echoing the landscape in which the Christmas story first unfolded.

Our growing collection tells its own global story. We have a wooden nativity carved by a Jewish cabinet maker in Birmingham, an echo of Joseph’s trade. The figures are sturdy, as if shaped by hands that know the weight of purpose.

There is a blown glass nativity, fragile and luminous, capturing the wonder of the night when heaven bent low to earth.

We treasure a ceramic nativity created by my wife’s mother, its colors warm and familiar, infused with the love and legacy of family.

And on our tree hangs a pewter ornament depicting the nativity scene—small, durable, and timeless.

Now, standing quietly on our bookshelf, the camel bone nativity from Egypt adds yet another voice to this beautiful chorus. Each piece comes from a different place and perspective, yet they all tell the same story: God choosing to enter our world in the most unexpected and humble way.

As they gather together, these nativities preach a quiet sermon. They remind us that the Christmas story is not confined to a single style, language, or land. It has traveled across borders and generations, finding expression in wood, glass, ceramic, metal—and now, camel bone.

This diverse collection testifies to the global reach of the gospel and the countless cultures shaped by the message of Emmanuel, “God with us.” It also invites us to see the manger with fresh eyes—eyes that recognize that the good news of great joy truly is for all people.

In a season when the world can feel divided, our nativities stand together as a small but powerful reminder: the Child born in Bethlehem still draws the nations to the greatest story ever told—one story, one culture, one family tradition at a time.